40% offThornhollow Bone Stakes, 2 pieces
- Two pieces
- Into sod with a shove
- Matte bone to match the big
$23.99$39.99
The dead wake in00:00:00:00
Clawmere Arms
$22.00$32.00
Clawmere Arms
$22.00$32.00
Express checkout
See it in the scene: The Graveyard →
Six pieces
This is the set that changes what the lawn is about. A single groundbreaker says something is coming up. Six arms across the grass says the ground is full of them, and the one you can see is just the one that got out first. They stake into sod in seconds, no tools and no power, and the whole thing goes back in a box on the first.
The mistake is a neat row at the same height. Push some in to the wrist and leave others out to the elbow, and the ground stops looking like a shelf.
Turn them so the fingers point in different directions — a couple toward the walk, one away. Uniform angles read as decoration; scattered ones read as movement.
Flat bone, so a stake light rakes across them instead of glaring back. Six shiny arms under one spotlight look like six pieces of plastic.
Built for outdoors
Six is the number where a lawn stops being a lawn with props in it. Three reads as an accident, and a dozen reads as a display. If you have a main piece already, keep the arms out of its immediate circle — they should look like the ones that did not make it out, not like a border around the thing that did.
Six arms, and every one arrives on its own stake. No tools and no power — they go into sod in seconds and come out the same way on the first.
Vary it on purpose. Push some in to the wrist and leave others out to the elbow. A neat row at the same height reads as a shelf of props; mixed depths read as ground that has been busy.
Water the spots an hour before you set them, or open each hole with a screwdriver. Late-October turf that has gone hard will bend a point instead of taking it.
No. The finish is flat bone, so a stake light rakes across them instead of glaring back. Six shiny arms under one spotlight look like six pieces of plastic, which is the failure mode this finish exists to avoid.
Turn the fingers in different directions — a couple toward the walk, one away. Uniform angles read as decoration; scattered ones read as movement. Angle matters more than spacing.
That is the point of the set. Keep them out of the main piece's immediate circle so they look like the ones that did not make it out, rather than a border drawn around the one that did.
The whole sheet
Goes with it
40% off
33% off
30% off
Best seller