Best sellerBarrowfield 4 ft Groundbreaker Skeleton
- 48 in tall
- Light-up eyes that move
- Two hands you plant apart

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See it in the scene: The Graveyard →
Animated, outdoor, full 6 ft
A full-height animated zombie in a torn work shirt, dark trousers and laced brown boots, with eyes that glow amber. He moves, so he does more than stand there while the street looks him over. Put him at the front edge of the graveyard bed, boots down in the mulch, where the headlights find him first.
Amber-lit eyes set in a gray-green face with the mouth hung open. From the sidewalk at night that is what people see before they see the rest of him, and it is why he reads as awake instead of propped up.
Open button-up over a gray tee, one sleeve torn off at the elbow, dark trousers, brown work boots with the laces done up. Faded and stained the way clothes actually go. He looks like a man buried in what he wore to work.
He stands on a flat black metal frame under the boots. Sink the frame into mulch or leaves and the boots look like they just broke the surface. Leave it showing on a lawn and it still holds him upright.

Motorized, built for outdoors
When the street fills up he is the one at the graveyard edge, eyes lit and the rest of him moving, that makes the kids stop at the curb and work out who goes first. Come November, pull the frame out of the mulch, knock the dirt off the boots and lay him flat in the garage.
Seventy-two inches, which puts the head at about adult eye level. That is the number that matters, because eye level is what makes a figure read as a person from the sidewalk instead of as a prop on a lawn.
No stake. He stands on a flat black metal frame that sits under the boots, so he holds himself upright on grass, mulch or a hard surface.
Sink it into mulch or pull leaves over it and the boots look like they just broke the surface. Left showing on a bare lawn it still holds him, it just reads as a figure standing rather than one coming up.
He goes up in one trip from the garage: set the frame, stand him on it, run the cord. The long part is deciding where he goes, not putting him together.
An open button-up over a gray tee with one sleeve torn off at the elbow, dark trousers, and brown work boots with the laces done up. Faded and stained the way clothes actually go, so he reads as a man buried in what he wore to work.
Pull the frame out of the mulch, knock the dirt off the boots and lay him flat in the garage. He does not come apart into a small box — plan for a long shelf, not a bin.
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