32% offPalewick 3.3 ft Groundbreaker
5.0(70)
- 3.3 ft tall
- Red sockets and an orange-lit
- Motorized
$149.00$219.00
The dead wake in00:00:00:00
Grimsby Groundbreaker
$139.00$219.00
Grimsby Groundbreaker
$139.00$219.00
Express checkout
See it in the scene: The Graveyard →
Static, outdoor, slightly scary
A 35-inch skeleton torso with one hand planted flat in the dirt and the other reaching up, jaw dropped wide. It sits on the ground and reads as a burial that didn't take, which is a different thing than a skeleton lying on a lawn. Belongs at the front of a graveyard scene, angled toward the street, where headlights find the skull first.
The hand on the ground isn't attached to the torso. Set it a step out in front, fingers spread, and the whole thing reads like he's dragging himself forward. Tuck it right against the base and it reads like a prop. Your call, but the first one is why cars slow down.
The jaw is dropped wide and the eye sockets are solid black, but the face lands closer to a laugh than a threat. Slightly scary is the honest call. That's the difference between a house the little ones skip and one they dare each other to walk past.
It's static. Nothing moves, so what you set at dusk is what the last kid sees at the end of the night. Put it where the ground looks disturbed and it holds the pose until you pick it up. Pairs with the rest of The Ground Crew if you want more than one plot coming up.
Built for outdoors
Headlights hit the skull first, then the raised hand, then the kids work out where the rest of him is supposed to be. It's the one they walk up to. November first, lift the torso, grab the loose hand, wipe the mud off the finish and both pieces stack in the bin next to whatever else came up this year. That's the whole ritual.
Thirty-five inches — a torso with two arms, no legs. That is roughly knee-to-chest on an adult, so it holds a front-of-yard spot without blocking the sightline to whatever is behind it.
It sits. There is no hole to dig: you set it where the ground already looks disturbed and the shape does the rest. How much shows is your call, since piling mulch or leaves against the base is what sells the dig.
It is a separate piece, and it is the whole trick. Set it a step out in front with the fingers spread and he reads as dragging himself forward. Tuck it against the base and he reads as a prop. Your call, but the first one is why cars slow down.
It is low and wide, so it does not catch wind the way a standing figure does. On an exposed lot, run a stake or an anchor kit through the base into the turf rather than leaning it against a headstone and hoping.
The jaw is dropped wide and the sockets are solid black, but the face lands closer to a laugh than a threat. Slightly scary is the honest call — it is the house they dare each other to walk past, not the one they skip.
Two pieces. Lift the torso, grab the loose hand, wipe the mud off the finish and both stack in the bin. That is the whole ritual on November first.
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